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Does this make me a Bad Fan?
Confession #1:
I'm approximately 1 gazillion times more excited about Mama Mia! opening today than I am about The Dark Knight, despite the fact that I can see The Dark Knight at no less than 2 IMAX theaters within easy driving distance.
Confession #2:
It appears that I will buy anything David Simon does because, as it turns out, he's my favorite author (for television) ever. I own the book Homicide: A Year on the Killing Streets, all 7 seasons plus television movie of Homicide: Life on the Street, the book The Corner: A Year in the Life of an Inner-City Neighborhood, the HBO series The Corner, and the first 4 seasons of The Wire (with Season 5 on order for immediate shipping when it's available next month).
I am counting down to when Generation Kill will be available on DVD (I don't get HBO) so I can get my hands on it.
In short, you know how people will buy anything Joss Whedon does (even when it's total crap) and call him a genius for it (even though it's a case of the emperor walking around completely starkers)?
This is apparently how I treat productions involving David Simon, Ed Burns, and partners.
How can I put this...long before I let any of David Simon's stuff out of my hands, I will sell both my Angel and Buffy box sets.
The hell with that. I will burn my Angel and Buffy box sets before I give up any of David Simon's stuff.
(Seriously, those of you who kept looking for meaning in the "numbered shirts" of Buffy Season 6 that actually didn't have any meaning beyond, "We found a bunch of these for cheap in thrift shops?" Try The Wire, which actually has twice the meaning and twice the mythic elements of any Angel and Buffy episode without requiring you to fanwank. Best of all? The Wire actually has continuity that puts most book series to shame. No. I'm not kidding.)
I'm approximately 1 gazillion times more excited about Mama Mia! opening today than I am about The Dark Knight, despite the fact that I can see The Dark Knight at no less than 2 IMAX theaters within easy driving distance.
Confession #2:
It appears that I will buy anything David Simon does because, as it turns out, he's my favorite author (for television) ever. I own the book Homicide: A Year on the Killing Streets, all 7 seasons plus television movie of Homicide: Life on the Street, the book The Corner: A Year in the Life of an Inner-City Neighborhood, the HBO series The Corner, and the first 4 seasons of The Wire (with Season 5 on order for immediate shipping when it's available next month).
I am counting down to when Generation Kill will be available on DVD (I don't get HBO) so I can get my hands on it.
In short, you know how people will buy anything Joss Whedon does (even when it's total crap) and call him a genius for it (even though it's a case of the emperor walking around completely starkers)?
This is apparently how I treat productions involving David Simon, Ed Burns, and partners.
How can I put this...long before I let any of David Simon's stuff out of my hands, I will sell both my Angel and Buffy box sets.
The hell with that. I will burn my Angel and Buffy box sets before I give up any of David Simon's stuff.
(Seriously, those of you who kept looking for meaning in the "numbered shirts" of Buffy Season 6 that actually didn't have any meaning beyond, "We found a bunch of these for cheap in thrift shops?" Try The Wire, which actually has twice the meaning and twice the mythic elements of any Angel and Buffy episode without requiring you to fanwank. Best of all? The Wire actually has continuity that puts most book series to shame. No. I'm not kidding.)
no subject
I knew the real Jay Landsman was that guy (and again a double take moment), but did you know about the deacon? In his youth Melvin Williams, the actor who plays the Deacon, was a real-life drug kingpin who was arrested by series writer Ed Burns in 1984 when he was a Baltimore city police officer.
no subject
That and the homicide sergeant (the overweight one) is actually named after Jay Landsman.
I should've realized that Idris Elba was probably huge in the U.K. All I know is that when I heard his accent I was all, "Whaaaaaaaa?" Him and Dominic West both floored me like that.
I think Bamber does a fairly decent job with the non-descript American "broadcast" accent, but when he's "on" in some ways it sounds too perfect because it doesn't once waver or vary. It drives me a little nuts, actually.
As for Marsters, I remembered him from Northern Exposure (he was on in the last season), so I knew he wasn't British from the start. That, and it seemed that "Spike's" accent tended to take a tour of the British Isles on occasion. :-) [At least, that's what it sounded like to me when Marsters was in Spike mode, but it could be I could hear it because I knew he wasn't British to start with.]